The Governator keeps coming back—because retirement is for sissies.
The New Republic’s film critics on some of the best, under-appreciated films of 2012: Amour: Amour is as hard and bright as bone. The love it observes is intense, selfish, and nearly insane (these are the film’s greatest truths). – David Thomson, watch trailer The Deep Blue Sea: [Terence] Davies, who is now sixty-six and has made only seven films in his long career, has transformed the one-set [Terence] Rattigan play into a well-flexed film with imaginative lifts along the way.
Three extraordinary small films.
“I think it's one of the most noble risks we have ever taken.” This comes from an executive at Twentieth Century Fox, the studio that gave us Sunrise, Shirley Temple, and The Robe. When a corporation has ranged from the sublime to the ridiculous, talk of nobility is often a warning sign of stupidity. So sane producers may have read Yann Martel’s 2001 novel, seen that it was selling 9 million copies across the world, and concluded that there was no need for a movie of Life of Pi—the same escape clause I raised a week ago in connection with the latest Anna Karenina.