Film

Restrepo National Geographic Entertainment Human Rights Watch International Film Festival Let It Rain IFC Films “War is hell.” General Sherman’s three-word definition has never been surpassed. He meant to dispel prevalent notions about glory, which he called moonshine. Factual knowledge, he apparently thought, would diminish war. The still camera had already started to support him; now there are also film and video.

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Changes

Two in the Wave Lorber Films Looking for Eric IFC Films No movement in any nation’s film history has had a greater effect, at home and abroad, than the French New Wave. Beginning in the late 1950s and cresting through the 1960s, it not only brought forth new and invaluable talents: it altered in some degree the expectations of audiences. Much has naturally been written about the New Wave.

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The three of them, SKG, appeared in the Verandah Room of the Peninsula Hotel in Beverly Hills on the morning of October 12, 1994, to say that they wer

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Ajami. In a multi-ethnic district of the city of Jaffa, Arabs and Jews struggle among themselves and with one another in various prisms of crime and love. Co-directed by a Palestinian and an Israeli, it is swift, vital, and gripping. (In our upcoming 3/11/10 issue.) The Messenger. Two U.S.

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Discoveries

The White Ribbon Sony Pictures Classics Creation Newmarket Films   Michael Haneke, whose new film is called The White Ribbon, has given it a subtitle: A German Children’s Story. That is warning enough. This Austrian director is by now so distinctively established as a connoisseur of darkness--with Funny Games, about neighborliness as murder; with Caché, about the past seeping into the present; with The Piano Teacher, about the animal in the civilized--that his dainty subtitle must be seen as a deadpan tease.

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And Showtime is about to present, in a ten-part miniseries, Oliver Stone’s “Secret History of America.” Don’t you wonder why, if Stone (and Michael Moore, for that matter) is right about the evils of capitalism, an enormous capitalist corporation has produced--and will now show--what is, almost by self-advertisement, a nutcase reconstruction of the American past, focusing on its enemies, who he seems to think have been traduced by historians? Someone named Jackson Creswell, from a website called Collider, seems to think that Stone “revel[s] in political controversy ...

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Chinatown

The whole silly book is lit up with the superficial melodrama of scandal. Whereas Hollywood is so much more level-headed.

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You probably don't know who Rudolf Kasztner was. But, actually, I've know about him since I was a teenager. Was he a Jewish hero? Or was he a traitor to the Jews? I can still hear the familiar piercing locutions of my parents' bad marriage, fought out over politics, Jewish politics, daily, unrelenting, almost viperous. My mother was for him, this Dr.

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I don't much like their Nation. And it, for that matter, doesn't like our nation. But, every so often, Calvin Trillin writes something that tells truth to his own. What Whoopi Goldberg ('Not a Rape-Rape'), Harvey Weinstein ('So-Called Crime') et al. Are Saying in their Outrage Over the Arrest of Roman Polanski Deadline Poet By Calvin Trillin October 7, 2009 A youthful error?

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David Foster Wallace’s Brief Interviews With Hideous Men has been adapted for the screen. Well, parts of it have been adapted--chiefly, the four parts that bear the same title as the book and the film. Wallace’s book is a miscellany of prose outbursts, some that soar in known styles, some that fling aside known styles, some of deliberate wildness. The book evokes much the same reaction as does Godard.

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