Film

Stanley Kauffmann on Films: Devotions
October 20, 2010

Vision: From the Life of Hildegard von Bingen Zeitgeist Films Samson & Delilah Indiepix No director has surpassed Margarethe von Trotta in depth of concern for women on the screen. Others, very many, have made all sorts of good films about women, their social situation and history and beings. But von Trotta has an advantage over most of them: she is an exceptionally fine artist. Very few other films about women come close to the von Trotta quality.

Stanley Kauffmann on Films: Worlds of Difference
October 16, 2010

Nuremberg: Its Lesson For Today Schulberg Productions Genius Within: The Inner Life of Glenn Gould Lorber Films Kings of Pastry First Run Features The American government made a documentary about the Nuremberg trial in 1945 - 1946 that was shown in Germany in 1948. It is only lately being shown in the United States. Reasons for the delay are obscure: one surmise is that relations with the Soviet Union quickly cooled and our government didn’t want to push a film that had the Soviets sitting alongside us in a tribunal.

Through The Years
October 11, 2010

The Girl Olive Films Heartbreaker IFC Films A film about a child that is not intended to charm us is brave. The Girl, from Sweden, scorns the idea of charm and bravely concentrates on the life of a nine-year-old simply as a life. (We don’t even learn her name.) We are left at the end with a sense of experience, not some sort of benevolence. She is the daughter of a young couple who live in a pleasant country house. They do a sort of social work and are off to Africa on a mission with their daughter. In fact, the first thing we see is the girl getting a vaccination.

Sorkin vs. Zuckerberg
October 01, 2010

In 2004, a Harvard undergraduate got an idea (yes, that is ambiguous) for a new kind of social network. Here’s the important point: He built it. He had a bunch of extremely clever clues for opening up a social space that every kid (anyone younger than I am) would love. He architected that social space around the social life of the kids he knew. And he worked ferociously hard to make sure the system was stable and functioning at all times. The undergraduate then spread it to other schools, then other communities, and now to anyone.

Universes
September 18, 2010

Lebanon Sony Pictures Classics Around a Small Mountain Cinema Guild It took Samuel Maoz more than twenty years, he says, to write Lebanon. In June 1982 he was a tank commander in the division of the Israel Defense Forces that invaded Lebanon. In 1987 he went to film school in Israel and became a writer-director. In 2007 he decided to write about his war experiences. In a press comment he notes: “My memory of the events themselves had become dim and blurred....

Fudging Holly Golightly
August 31, 2010

This book is such a swift, sweet, smart stroll through the making of the movie Breakfast at Tiffany’s that it takes a little while for one to realize

Change Agent
August 26, 2010

Sinclair McKay’s new book is one of the very best attempts to take stock of the Bond films. It has its share of quirks, and is by no means appropriate

Young Rebels
August 12, 2010

The Sicilian Girl Music Box Films Jean-Michel Basquiat: The Radiant Child Arthouse Films Long ago it expanded into other places, but to think of the Mafia is to think first of Sicily. Partly, of course, this is because of the many films about the Sicilian Mafia, so many that they constitute a genre, and none of which, as far as I have seen, has been less than good. Now comes The Sicilian Girl, which sustains the genre in expected and unusual ways. The expected ways, shamefully gripping, are, as always, the threats and businesslike killing.

Where Does Ethan Edwards Go?
August 04, 2010

Let me say straightaway that this is a very thoughtful, observant book, well worth the time for any reader who takes Hawks, Ford, and the Western seri

Why Is Everyone So Obsessed With ‘Inception’?
July 21, 2010

There are plenty of moments in its 150 minutes when Inception is flying in mid-air, uncertain whether there is a safety net or a parachute of coherent plot to explain its entire exhilarating enterprise. Don’t ask to have its theory of dreaming spelled out in foolproof detail, just know that the age-old love affair between dreaming and the movies has been reasserted. Above all, treasure the film’s serene lack of exhausting violence or ingenious cruelty.

Pages