Jerichow--The Cinema Guild The Window--Film Movement James M. Cain's famous postman not only rings twice, he keeps delivering. Especially on screen. Cain's novel has been filmed twice in Hollywood, as well as in France, Italy, and Greece. Now comes a German film called Jerichow whose credits don't mention Cain's book, but very clearly the writer-director, Christian Petzold, has been sparked by its tone and tale. Petzold's last film, Yella, consisted of veristic bits hung on an incredible story. In Jerichow the verism is even starker, and, in a reversal of Yella, sustains the story.
Treeless Mountain Oscilloscope Laboratories Il Divo Music Box Films CHILDREN DEEPEN ONE of the mysteries in film’s being. It is mysterious enough that, since film’s beginning, non-professional adults have given valuable film performances. Still, one can spin social and cultural explanations for this astonishment. But what about the performances by small children, children who were not child stars and who convinced millions? The list is too long to nibble at. How can we explain them? How can we understand the mystery? Some technical facts apply to children as well as adults.
Il Divo. An Italian film about a prime minister--not a documentary--that is dazzlingly made. The director Paolo Sorrentino has transformed the life of Giulio Andreotti, who headed seven governments and is still in the senate, into a fascinating series of contrasts between facility and crime, reticence and flash. (Reviewed 5/20/09) Goodbye Solo. In Winston-Salem a Senegalese cab driver and a taciturn old man become bonded in a strange and moving way. Exquisitely made and genuinely serious, Rahmin Bahrani’s third film does even more to prove him a first-class director.
Goodbye SoloRoadside AttractionsThe Song of SparrowsRegent ReleasingAlong with other distinctions, Goodbye Solo is the first Iranian film made in North Carolina. Ramin Bahrani, the director and co-author, was born in Winston-Salem in 1975 to Iranian parents, grew up there, and after taking a degree at Columbia University went to Iran for three years. There he began his film work. Back in New York, he made Man Push Cart, unseen by me, and Chop Shop, most gratefully seen by me.
Goodbye Solo. Rahmin Bahrani, American-born son of Iranian parents, made his first two films about New York. But his third, set in North Carolina, is Iranian in mood and manner. A Senegalese taxi driver and a grizzled American loner are linked by the prospect of the latter’s suicide. Tender, deep, beautiful. (5/6/09) Hunger. A somewhat abstract rendering of grim facts. In 1981 Bobby Sands, an IRA activist in a British prison, leads a hunger strike against prison conditions.
Hunger IFC Films American Swing Magnolia Pictures Steve McQueen is a well-known British artist who is becoming a well-known film-maker. Hunger, his first feature film, is less a promising work than a fulfillment. It has nothing to do with Knut Hamsun's famous novel of the same title (beautifully filmed in 1966).
Everlasting MomentsIFC films12Sony Pictures ClassicsThe best films I know by the greatly gifted Jan Troell, who is Swedish, are set in the Scandinavian past. Here's Your Life takes place in Sweden during World War I; The Emigrants and The New Land form a diptych about nineteenth-century Swedish immigrants; Hamsun is of course about the Norwegian writer who died in 1952. Merely to mention those films is to wish that every viewer knew them.Now, after some years of absence--at least from the United States--here is Troell again with his latest visit to the past.
Katyn Koch-Lorber Films Tokyo! Liberation Entertainment The Polish director Andrzej Wajda, who has had a sixty-year career, crowns it with a consummate film. Katyn seems to be the work that he has been moving toward all of his busy life. Katyn Forest is the place, or the main place, where more than twenty thousand Poles were massacred in 1940. Most of them were army officers, some of them were intelligentsia--professors, lawyers, doctors, scientists. Wajda's father was one of the officers. Katyn is thus something other than just one more film for Wajda.
From “Album of My Germany” Our German trip was coming to an end. I reserved the last afternoon in Berlin to visit a place I wanted Laura to see. I had seen it in 1967 and had dreamed of it since. It was a Catholic church in an outlying district, Charlottenburg. Maria Regina Martyrum stands near Plotzensee, the prison where many had been executed during the Hitler years and where, in August 1944, the eight German officers found chiefly guilty in the July plot against Hitler were hanged.
From “Album of a Theater Critic” One of the jobs I have had in my life was the post of theater critic of The New York Times, where I was for eight months in 1966. It seems now like merely one of the jobs. When I went there, it seemed final. Remembrance begins with the vague figure of a man on a leathery sofa, offering me the position. When I accepted, he welcomed me to The Times for the rest of my life. It was only the second time, after my marriage twenty-three years before, that anyone had welcomed me to anything for life.