“We are not talking about a civil war between factions, we are talking about a massacre.
The Rise and Fall of a Palestinian Dynasty: The Husaynis, 1700-1948 By Ilan Pappe (University of California Press, 399 pp., $29.95) Out of the Frame: The Struggle for Academic Freedom in Israel By Ilan Pappe (Pluto Press, 246 pp., $22) The Ethnic Cleansing of Palestine By Ilan Pappe (Oneworld, 313 pp., $14.95) I. At best, Ilan Pappe must be one of the world’s sloppiest historians; at worst, one of the most dishonest. In truth, he probably merits a place somewhere between the two. Here is a clear and typical example—in detail, which is where the devil resides—of Pappe’s handiwork.
Alexis de Tocqueville once wrote that all the great events of the past 700 years—from the Crusades and English wars that decimated the nobles, to the discovery of firearms and the art of printing, to the rise of Protestantism and the discovery of America—had the ineluctable effect of advancing the principle of equality. Political scientist Samuel Huntington went further and identified several historical waves of democratization. The First Wave began with our own revolution in 1776, which was quickly followed by the French Revolution.
For years, those obsessed with forcing Israel to make all kinds of concessions to the Palestinians—on territory, on settlements, on refugees, on Jerusalem, on security, on water, on air space, on everything, in fact—argued that the occupation was the powder keg on which the kings and colonels of the Arab world sat waiting for it to explode. This was and is a curiously Judeo-centric perspective on the world.
The October launch of Columbia University’s Center for Palestine Studies (CPS), the first institution at an American university specifically dedicated to the study of Palestinian Arabs, received surprisingly little notice. Middle East–related brawls on Columbia’s campus have often captured national attention, featuring accusations of anti-Semitism lobbed at professors (recall the alleged bullying of Jewish and pro-Israel students in 2004 by Professor Joseph Massad) and controversial speaking engagements (for example, Iranian president Mahmud Ahmadinejadin September of 2007).
Seventy years ago, in the summer and fall of 1940, Western civilization teetered in the balance as Britain stood alone against Nazi-controlled Europe. Other major world powers did not lend aid; Russia supported Germany, and the United States remained neutral. After Britain resisted the assault of Nazi bombers, in what was dubbed the “Battle of Britain,” the country was saved and German momentum stymied. The whole course of the war then radically shifted.
Frankly, I doubt that many Palestinians have dealt with this matter. After all, everything is sacred to the Arabs, including places without any historical or religious resonance at all. Alas, Israeli politics are also sufficiently mercurial that the system is all but barred from focusing on the matter as well. In any case, an Israeli geographer and planner, Elisha Efrat, has written in this morning's Ha'aretz a design in principle for a land settlement of the conflict. It is not a solution to everything.
The argument that Israel is a colonialist entity is often marshaled to undermine the Jewish state’s legitimacy. The theme has certainly permeated Western academia, almost uncritically. For decades, it has been employed against Israel in one international forum after another. In 1973, the U.N.
There is an old Washington adage that the ultimate “man bites dog” story is one in which a politician tells the truth in public. Chris Matthews pointed out on his show recently that there was something almost uplifting about the response of the new senator from Massachusetts, Scott Brown, who, when asked whether he was demanding changes in the Dodd-Frank financial reform bill to protect the interest of the Boston-based State Street investment firm, replied that, no, it wasn’t just for them.
Europe’s cathedrals, churches, monasteries, and baptisteries cover the countryside like Veronica’s veil. They comprise the continent’s landmarks and focal attractions and, for centuries, have been integral to its culture. It is curious, then, that, in the history of art, architecture has been a relatively infrequent subject—in Western painting before 1900, only scattered examples come to mind, such as the Dutch seventeenth-century church interiors by Emanuel de Witte (pictured here) or the panoramas of Venice by Canaletto.