World War II
The trend of small-minded war movies continues
Last year, Walter Kirn lamented the state of the ever-shrinking American war movie.
There is one moment in The Monuments Men that is as sweet and pleasing as a fresh cupcake. It has a charm that is no small thing in the making of movies. Let’s not spoil the moment by spelling it out, let’s just admit that it employs someone named Clooney. I am happy to say that now, and happier still holding on to its memory, for apart from that this is one of the most dreadful, smug, and incoherent films I have ever seen, and a travesty of its many large subjects.
The well-intentioned, deeply troubling hear of "Generation War"
To turn history into TV, producers everywhere make the past tidy and simple and sympathetic. But when it's Germans presenting WWII, middlebrow conventions are no excuse.
The moral burdens of living under communist rule in Eastern Europe
Anne Applebaum and Marci Shore have shown that there is much to know about communism in this century that was not obvious to everyone. Both regard Soviet communism as more intertwined with the history of Nazism than most historians did before the fall of the Berlin Wall.
The decisive experience of warfare is not victory or defeat; it is being occupied. In the Fog is about occupation and the destruction of an understanding of one’s own history—and it's also a masterpiece.
The story of WWII deserters
A new book goes deep into the desertion of WWII soldiers.
The country's breakout television series confronts WWII atrocities head on
The country's breakout television series confronts WWII atrocities head on.
The Man of Steel is 75. His biography is our history.
Superman is turning 75. Over those years, he's moved from rebel to establishmentarian to fogey to oddball—tracking the history of our times.