How emotion left dance
It is mystifying to find choreographers today taking form so seriously but leaving feeling behind. Is this a slow trailing off from modernism or a misconceived tribute to the idea of abstraction, or is it the beginning of a new way of thinking?
In his eulogy of Seamus Heaney, Paul Muldoon told the story of being asked at Customs, on his arrival for the funeral, what he did for a living; when he replied that he taught poetry, the Customs officer said, “You must be devastated.”
From Pushkin to Putin: the sad tale of democracy in Russia
The “other” Russia, the Russia of poets and writers, the Russia of culture, destroyed in the Soviet Union, was preserved underground and in emigration. Will it help to give Russia its third chance at democracy?
Victor Hugo's Hard-nosed Melodrama
Why the most dramatic parts of Les Misérables are also the most politically incisive.